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| We
enter into a production contract with our client, when the client has
decided to proceed with a production for which there is an agreed project-proposal and/or
synopsis and an agreed budget. |
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The
production contract covers the following –
- Definition of project (with reference to
the proposal and/or synopsis)
- The
client's responsibilities
- The
production company's responsibilities
- The production price (with reference to
the production budget)
- The terms for a fixed-price agreement
- Terms and conditions of payment
- Approval and delivery deadlines
- Clients rights
- Production company rights and copyright
- Guarantee of technical quality
- Production company's confidentiality
agreement
- Production company responsibility for
third-party residual rights
- Possible project-specific terms
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| The
purpose of the production contract is to create clarity for the customer
in what could otherwise be a complicated purchase. It must be clear what
the client is ordering, how the production may be used and any other terms
which may influence the client's choice to proceed. |
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| Many
of the creative components of a media production are dependent on the work
of others - for example artists such as actors, narrators, composers or
performers. These artists have their own trade organisations and their own
terms and conditions, which cover how they enter into contracts and how
they are paid for the right to use their work. For example, as Danish
narrator may have one rate for a voiceover that will be used on broadcast
television and another rate for narration of an in-shop presentation. |
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| There
are few industrial or corporate clients who wish to buy every conceivable
right for all artists in a given production - therefore it is the
production company's responsibility to ensure that agreements entered into
with any third-party facilitate - at the minimum - the rights for use and
distribution that the production company has sold to the client. |
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| The
production company also has the responsibility to secure the necessary
clearances or permits from participants - even those participating free of
charge. Such clearance is particularly important for productions involving
children or recordings undertaken on private premises. |
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| A
Channel
6 Television production contract covers all the necessary points and
ensures the client additional incentives in relation to possible future
production assignments. |
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| In
custom with industry practice, the original recordings, film or data - raw
material - remain the property of the production company. However Channel
6 Television undertakes to hold all material on archive for at least 7
years, and guarantees every client free access to the material in the
event of any future assignment for the client which may be handled by
Channel 6 Television. |
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| In
the course of a production for an organisation or business, the production
company gains a unique insight into the client's business. This is often a
necessary result of our need to understand the client's organisation and
message. In every production contract Channel 6 Television undertakes to
respect such confidentiality. In the same way, we also guarantee that any
recordings, film or raw data from the customers premises or business
operations will not be used for any other purpose, without the client's
written authorisation. |
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| For
productions with an extensive duplication requirement, the production
contract often includes guaranteed terms and rates for delivery of copies
for a reasonable period following the completion of the production. In
this way subsequent duplication is ensured without costly surprises for
the client. |
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| The
production contract creates the foundation for a fair agreement and a
successful co-operation, and hopefully the foundation for a long-lasting
relationship between the client and Channel 6 Television. |
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